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Performance in Film and Videogames

Page history last edited by Lorene Shyba 11 years, 6 months ago

 

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Download a pdf course Study Guide. (Also provided as handout.)

 

Spring 2014, School of Creative and Performing Arts (SCPA) | Lectures: CHF202, Tuesday and Thursday, 3:00 – 4:50 p.m.

Instructor: Lorene Shyba MFA PhD | Office hours: Tue/Thur, 2:00 - 3:00 pm in SCPA reception lounge, or by appointment

Email: lori.shyba@gmail.com 

 

COURSE DESCRIPTION (Revisions will be in Pink)

This course explores performance in movies and videogames from an artistic, historical, and cultural perspective.  Performances in film are examined in relation to techniques and aesthetics of famed acting coaches and dramaturgs. Other topics include best practices in acting, casting and character as ideological representation, and the relationship of acting and screenwriting. Videogame characters are studied in terms of persona development, myth and hero’s journey, interactive narrative including audience/author distance, and semiotic representations and ideologies. Lectures, screenings, and gameplay sessions illustrate these practices and principles through a variety of film and videogame styles and genres.

 

Links to Readings

 

Assignments 

Assignment 1: Group Presentation

Assignment 2: Projects

Homework Assignments

 

Slideshows, links, and this and that

May 2014

June 2014

 

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Questions and topics we can explore:

  • How does cinema history, style and genre affect performance?
  • How do various acting styles differ? Which are good for stage? Which for screen?
  • What are ways that filmmaking and screenwriting affect performance in film and videogames? How does the Hero’s Journey tie in with well-made story?
  • How is performance and characterization captured and recorded for videogames?
  • How might we experiment with practice-based studio skills to create short films with a focus on performance approaches and do some videogame character modeling.

 

REQUIRED Resources:

  • Readings Coursepack. See pages 4 - 5 of this study guide for a list of the readings. Links to readings are provided on the course web site at lorishyba.pbworks.com and on D2L. You must print these readings and bring them to class, or have them downloaded and available on your laptop or tablet.
  • An account with a movie download service such as iTunes or Amazon Prime. Some homework screenings may also be available on Netflix. 

 

Assignments: Detailed instructions are available on the class web site.

1.  15-20 minute Group Presentation - Groups will be assigned to present from and lead class discussion on the course readings. You will be evaluated on the clarity of your presentation (do you bring out the main points of the article in an understandable way?), appropriateness of examples given, demonstration of the principles (if applicable), the quality of your discussion questions, and your efforts to involve the class. Creative presentations will be judged especially favourably. The group’s typed outline, written summary (abstract), and discussion questions are due before the presentation.

2.  Team Project – You will work with a small team to produce either, a) A short film exemplifying a topic listed on the class wiki. These films can be shot with smartphone or camcorders and computers and software are available for editing. However, only limited instruction will be provided for video editing skills. b) Computer game character sketches/modeling, along with character analysis and videogame level design.

2.  Midterm and Final Exam.

Grading: Your final grade will be based on the following criteria:

20% — Group Presentation

20% — Team Projects

20 % — Midterm Exam

20% — Final Exam

20% — Attendance and participation

 

The 20% participation mark will be based on classroom discussion, occasional homework assignments, and other factors as indicated below in class policies. There will be four pass/fail homework assignments and you must complete a minimum of three for full participation marks. A "P" is an A grade, "CP" (Conditional Pass) is a C. You will have opportunity to resubmit your CP assignments for upgrade. 

 

The Fine Print

 

SUBJECT OUTLINE FOR PERFORMANCE IN FILM AND VIDEOGAMES  
Date Topics Summary Homework (Completed) Activities
    Coursepack:
Links available on class website
Additions/substitutions may occur.
NB: Activities are Subject
to Change
Class 1   May 15 Course intro. 
Overview of Assignments.
  Style and Genre, Film. Actor as Genre.   Cultural Perspective
Semiotic Analysis
Assignment of Group Projects  
Readings and Screenings     In-Class Activity:   Style and Genre + Ideologies and Acting Styles (Clips)   Cultural Codes Handout    
Class 2     May 20

Group #1 Non-Naturalistic and Naturalistic Styles (Brecht/Stanislavsky)

Casting and Character as Embodiment of Ideological Values   Epic Performances I    

Reading for today: Brecht. “The Street Scene” Benedetti. “Emotion Memory” (optional) Barsam. “Acting”
(201 – 220)

Homework Due: Cultural Codes Handout   Homework Screening for today:   There Will Be Blood or Sophie’s Choice or Streetcar Named Desire    

In-Class Activity: Screenings   Nosferatu Edward Scissorhands   Clips from Homework Screenings    
Class 3   May 22 Group Project 2 Games and Improv (+ how to use these for videogames)   Artistic Perspective
Essentials of Acting
  Epic Performance II
Reading for today: Powell, “The Actor’s Questions” Boal, Augusto. “The Structure of the Actor’s Work.” (optional)Barsam “Acting”
(221 – 222)
  Homework Screening: http://www.news.com.au/entertainment/movies/the-10-greatest-unscripted-movie-scenes/story-e6frfmvr-1226787570702    

In-Class Activity:   Uta Hagen Character Analysis Handout  

Clips The Hangover, Animal House The Shining   Integrated Arts Media Lab Tour

Class 4     May 27

Group Project 3 Acting for the Camera  

How Filmmaking/ Writing Affects Acting Myth and The Hero’s Journey

Reading for Today: Powell “Screen Acting” (Optional)Barsam “Acting”
(223 – 228)
  McKee, “Scene Analysis”   Her, writer, Spike Jones  
In-Class Activity:   Character Arcs and the Well-Made Story   Clips from Casablanca, Inside the Actors Studio   Assignment 2 Familiarization of Project
Class 5   May 29

Screening. of Comedy and Full Arch of Character

 

Reading for Today: Riley. Qi, Presence pg 206 – 233     Homework Screening: Crouching Tiger, Hidden Dragon (Lee, 2000)

 

We watched A Fish Called Wanda instead

In-Class Activity: Tutorials for Assg. 2

 

Fellini and ADR
Bollywood TBA, Rashoman

 
Class 6   Jun 3

Group Project 4

 Foreign Film and Cultural Signs  and

Group Project 5 Canadian Actors/Auteurs at Home and in Hollywood   Canadian Performances And Industry Opportunities

Reading for Today: Monk. “Reframing Eden”   Homework: Your links — Canadian actors at work  

 

Tracy Fragments can be screened (the link I posted does not work). Here is at least the trailer.

This link works for version 2 
http://www.sockshare.com/file/577E172513D45165# 

In-Class Activity   Film Screening in Class Tracy Fragments  

BollywoodMultimodality, Physicality and Stunts ADR, Sound, Vocalization.

Interactive movies and performance juxtapositions.

Class 7   Jun 5 Group Project 6 Animation and CGI   Illusions of Life Character Behaviour and Psychology.   Exam Review Reading for Today: Alburger, “Art of Voice Acting”   Homework Screening:
Despicable Me or
A Scanner Darkly  
In-Class Activity:

http://the12principles.tumblr.com

 
Class 8   Jun 10 Midterm Exam   Games Genre I   Group Project 7 RPG     Reading for today: Mayra. “Game Culture” and http://www.empireonline.com/features/50-greatest-video-game-characters/default.asp?film=35      

 

 
Class 9   Jun 12 Group Project 8 Agency and Immersion
Player as Performer
  Games Genre 2  
Reading for today Murray, Janet. “Agency.” From Hamlet on the Holodeck And TBA In-Class Activity:
Exam de-brief
Tutorials for Assg. 2 and TBA
Class 10   Jun 17 Group Project 9 Motion Capture Performance in Games   Videogames and Performativity   Reading for today   Menache: “Understanding Motion Capture for Computer Animation and Video Games”   In-Class Activity: TBA
Class 11   Jun 19 Group Project 10
Virtual Worlds and Virtual Reality
  Team Project Demos 1  
Reading for today (Optional)Shyba, Lori. (2008) “The Paradigmatic Shift of Performance Play into Aleatory, Virtual Spaces.” PDF     In-Class Activity: TBA
Class 12 Jun 24 Team Project Demos 2   Exam Review       In-Class Activity: Project Demos
Class 13 Jun 26 Final Exam  

In-Class Activity: Project Demos 

 

 

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